Pablo Martinez

Tenor

The young tenor Studied with Ryland Davies, Rosa Dominguez and Milagros Poblador at the Escuela Superior Reina Sofía. Has studied with several voice teachers such as Maria Teresa Uribe and Eduard Giménez at the Conservatori del Liceu de Barcelona. He has had Masterclasses with Teresa Berganza, Javier Camarena, Celso Albelo, Giulio Zappa, and Juan Diego Flórez among others.
Current and future engagements include Ramiro in La Cenerentola at the Volksoper Wien and in the new production at Oper Köln, Tonio in la Fille de Regiment at Regio Torino, Almaviva in Il Barbiere di Siviglia at Auditorio de Zaragoza and Teatro de Cervantes de Malaga, Oronte at Stadttheater Klagenfurt as well Ramiro and Ernesto at the Latvian National, Ferrando in Cosi fan tutte at Staatstheater Wiesbaden.
He sung the tenor soloist in Handel’s Messiah with the Orquesta Sinfónica de Colombia, under the baton of Baldur Brönnimann in 2013 and later at the Teatro Colón de Bogotá in 2018. During the posthumous homage ceremony of Nobel Price winner Gabriel García Márquez, he sang the tenor soloist in Mozart’s Requiem.
He sung the role of Ernesto in Donizetti’s Don Pasquale with the Tenerife Opera Studio 2016 at the Adán Martínez Hall and sung in a production of El Retablo del Maese Pedro at the Teatro Regio di Parma.
He debuted the role of Fenton in Verdi’s Falstaff at the Teatro Mayor Julio Mario Santo Domingo during their 2017 season, alongside figures such as Raul Giménez and Valeriano Lanchas. He has also sung the role of Conte d’Almaviva in The Barber of Seville with Opera Krakowska and Ópera de Colombia (2018) and the role of Ferrando in Mozart’s Cosi fan tutte in Opera Na Zamku in Poland.
He won the second price in the “Ciudad de Logroño” Singing Competition in Spain 2018 and was a finalist in the 38th International Hans Gabor Belvedere Singing Competition (2019), were he was awarded two of the engagement prices of the jury.

Gallery

Media

Barbiere di Siviglia

masterclass with Juan Diego Flórez

Reviews

La Cenerentola Oper Köln Dezember 2022

«Der junge Tenor Pablo Martinez ist ein Don Ramiro, dem man anmerkt, dass er bei Juan Diego Florez studiert hat.  Mit scheinbar mühelosen Koloraturen und strahlenden Spitzentönen umgarnt er Angelina und sein Publikum.»

Das Opernmagazin

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